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ORDNANCE SURVEY
It was only a few days ago I saw, on her thigh, a delicate marking of blood vessels. A map I thought. A map that would lead me to the place she lived. How cunning. To display those markings where I could see them and record them and subsequently take advantage of them.
I took a photograph of the delicate tracery and next day followed every curve and winding as I sought out her dwelling. And sure enough I found it. Tucked away in a dense forest high in the Umbian hills. What a fucking clever bitch, I thought, to leave such an intimate message where only the most observant of lovers would have noticed it.
The next night- as she and her man lay asleep I climbed over the fence, into the driveway, and crouched, hidden from view, beneath her bedroom window. I called her name several times. No reply. I shook the vine that lead up to the bedroom window and called again. “Nina. Nina. I am here.” Curses. No response. What am I to do. I slid open the iPhone and looked again at the red-lined drawing. And then I noticed- just to the right- a succession of curves (were they a stairway) and that mole with the oblong border- perhaps a door. OK. There were clues here. An indication. OK. Stairs. A door. But where. Fuck fuck fuck. Where in this place is she sleeping. Then I spied the four diverging veins. They suggested an easel. An artist’s easel. Hah! She sleeps in her studio. Her studio Her studio. Where is her studio? I know I know. Up some stairs and there is a door. I know it. I passed it.
I crept forward- the lush grass muffling my footsteps. I saw the stairs. I saw the door. Tip tap tip tap- up the stairs I went.
S…l…o…w…l…y I turned the door handle. So gradually I opened the door.
“What kept you,” she said.







